We do not share the final sale prices of our items. We do not provide appraisals nor estimations of value, as values change based on location, condition and demand. Please do not contact us requesting any information that is not listed on our site.

Friday, May 10, 2013












Mid Century Danish Modern Sofa / Couch


1950s -1960s

Clean Mid Century Lines 

Complete Tufted Back

Two Individual Removable Cushions

Six Beautifully Grained Walnut Tapered Legs

Very Reminiscent of Designers Jens Risom or Milo Baughman

79" x 32" x 28" Seat Height 16.5"

The sofa is extremely comfortable and in overall good original vintage condition. The brass caps have been removed from all the tapered legs and the tufted back has some slight discoloration (which is more evident in photos than in person) that can probably be cleaned easily with Woolite 805 with oxy. 

SOLD












Pair of Mid Century Danish Modern End / Side Tables or Nightstands


1960s


Sleek Distinctive Retro Details and Scandinavian Style Design 

Long Pencil Tapered Legs

Single Drawer with One Faux Drawer Pull

Warm Ash Like Finish and Beautiful Patina to the Undulating Walnut Wood Grain

Completely Finished Back Sides, Allowing Them to be Placed Anywhere in a Space

In Overall Very Good Original Vintage Condition

19" x 26" x 22.25" H

SOLD










Mid Century Modern Side / End Table or Nightstand


Late 1960s - Early 1970s

Designed by Jack Cartwright

Manufactured by Founders Furniture

High-quality Honey Maple Veneer and Solid Maple Wood Construction

Chromed Steel Hardware Ring Pull

 Simple, Elegant, Clean, Straight Lines

Very Reminiscent of Russel Wright for Conant Ball Pieces

In Overall Excellent Original Vintage Condition

20" x 15.5" x 22.25"

SOLD

Wednesday, May 8, 2013

Hooker Mainline Desk












1960s 


49" x 25" x 29.25"

In Good Original Vintage Condition

SOLD













Early Milo Baughman Side / End / Lamp Table / Nightstand


1950s

Designed by Milo Baughman

Manufactured by Murray Furniture, Winchendon Mass.


Rare, Early Table from the "Milo Baughman Collection" Introduced in 1952

Very Stylish and Heavy Construction with Solid Joinery 

Beautiful Maple Wood with White Laminate Accents 

Single Drawer with Original Sculpted Maple Cone Pull

A Very Hard to Find Piece from an Extremely Sought After Collection

22" x 26.25" x 21" H

In Overall Excellent Original Vintage Condition

$575

HISTORY:

Milo Ray Baughman, Jr., was one of the leading modern furniture designers of the second-half of the 20th century. His uniquely American designs were forward-thinking and distinctive, yet unpretentious and affordable. His prolific and highly influential work continues to be copied, reinvented and revived in the new and secondary decorative arts markets by contemporary furniture designers and dealers alike.

Murray Furniture of Winchendon Massachusetts introduced "The Milo Baughman Collection" in 1952. An earlier desk design from 1948 for Winchendon was later included in the Whitney Museum exhibition "High Styles: Twentieth Century American Design," in 1985. During this time, Milo found time to run his own custom design shop with Olga Lee (his wife at the time) in Los Angeles from 1951-1953. Lee contributed hand printed fabrics, wallpaper, lamps and accessories to go alongside Baughman's furniture designs; both offered their services as interior consultants. The Baughman-Lee showroom was located at 744 1/2 North La Cienega Blvd., Los Angeles.











Mid Century Modern Herman Miller Eames Dining Table


1970s

"Aluminum Group"

Designed by Ray & Charles Eames

Manufactured by Herman Miller

Iconic Round Table Designed in 1958

Soft White Laminate Top with Black Vinyl Edge

Black Umber Pedestal Stem

Aluminum Segmented Base

Labeled and Dated 1977 on Underside

In Overall Very Good Original Vintage Condition

42" Diameter

SOLD

HISTORY:

Charles and Ray Eames brought new materials, new processes, and a new attitude to interior design. And they often did it by playing with form and structure in an inventive, childlike way. Charles encouraged experimentation among his staff, saying that he wanted "to have people working on useless projects. These have the germ of new concepts."